New video: Corazon Espinado – lockdown video call edition

Corazon was always intended to be a “live” project – but, in the current circumstances… 

To be honest, we’re quite enjoying the creative process of video making. This latest effort is the Santana song that inspired our name: Corazon Espinado from the wonderful Supernatural album. For the video, we took some inspiration from the video calls that many of us are joining just now. In particular, the “virtual background” feature that allows you to fake your surroundings. We thought, “We can have some fun with that!”. As per the original, the song is in Spanish. Martin hopes the pronounciation is up to scratch. Corazon Espinado means “thorny heart” and is a story of unrequited love. Pasar bien!

Video

Biding time for covid-19 lock-downs to end and “normal circumstances” to return, we thought it would be fun to put together a little music video. This is us performing an early Santana classic, “Evil Ways”, in social distancing mode. We had a blast putting this together. We hope you enjoy.

Evil Ways – lockdown style

Under “normal circumstances” we would be gearing up for the band’s first appearance towards the end of April. To keep our hands in, we thought it would be fun to put together a little music video, social distancing style. This is us performing an early Santana classic, “Evil Ways”. We had a blast doing this. We hope you enjoy it too.

Social distancing jamming

The Coronavirus and associated lock-down means the Corazon Santana tribute will be delayed by a few weeks. Not a big deal … the important thing is you folks out there keeping safe and well! We can’t gig, we can’t get together and rehearse … but we do have plenty of time to solo jam!  

Here’s Martin soloing a few bars (in the style of Carlos) over a set of chord changes that might sound familiar!

For the love of Carlos

Martin Smith writes…

I first fell in love with the music of Santana when, as a teenager, I heard the brilliant Moonflower album. That was “double album” that featured new studio material (e.g. a storming cover of The Zombies’ “She’s Not There”) alongside some outstanding live recordings. I had never heard anything quite like it and it blew me away. The pulsing latin rhythms, Carlos Santana’s trademark singing, sustained guitar sound, some great soulful vocals (from Greg Walker) and all-round great musicianship.

It was hugely influential on me – particularly at a time when I was making my first tentative steps as a guitar player. I soon found myself trying to emulate the notes and phrasing of Carlos’ playing. Because it formed an early part of my musical development, my own “sound” and “style” (in as much as I can lay claim to these) still bears the hallmarks of that early Santana influence.

All that said, although Santana material has often made its way into the setlist of bands I’ve played in, I have not, until now, sought to play a full set of Santana material and play that in the style of the great man himself.

I’m very lucky to have assembled a great band of musicians around me. There is my usual Martin Smith Band cohorts (Jeff Rae, Chris Holliman, Robin Atkins) and we are joined by a fabulous latin percussionist. Hailing from Cuba, Chino is an in-demand percussionist who’s work includes regular sessions at Ronnie Scott’s. Personally, I’m loving the challenge of recreating the trademark guitar tone and nailing those licks. We are very excited about our first live outing scheduled for Friday, 24th in Caterham. Details here: https://buytickets.at/surreyrhythmandblues/354596